The course
The core chain runs from the white keys to key signatures, one concept at a time — first on the seven white-key roots, then the five sharp roots, then the five flat roots. Three side tracks open along the way: reading (notation), recognition (keys light up, you name them) and connections (relations between things already known).
The keyboard
| L1 | The white keys | Learn the names of the seven white keys. |
| L2 | The sharps | The five black keys, named with sharps. |
| L3 | The flats | The same black keys, named with flats. |
Distances
| L4 | Small steps | Semitones and whole tones — the smallest moves. |
| L5 | Small steps: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L6 | Small steps: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L7 | Thirds & fifths | The three distances that build every chord. |
| L8 | Thirds & fifths: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L9 | Thirds & fifths: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L10 | Name the distance | The same three distances, by note name. |
| L11 | Name the distance: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L12 | Name the distance: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
First chords
| L13 | Major chords | The bright, happy triad: 4 + 3 semitones. |
| L14 | Major chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L15 | Major chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L16 | Minor chords | The darker triad: 3 + 4 semitones. |
| L17 | Minor chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L18 | Minor chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L19 | Inside the chord | Grab the 3rd or 5th of a chord on its own. |
| L20 | Inside the chord: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L21 | Inside the chord: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L22 | Name the chord tone | Say the 3rd or 5th out loud. |
| L23 | Name the chord tone: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L24 | Name the chord tone: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L25 | Spell the triad | All three notes: C major is C, E, G. |
| L26 | Spell the triad: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L27 | Spell the triad: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Scales
| L28 | The major scale | Seven notes: W W H W W W H. |
| L29 | The major scale: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L30 | The major scale: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L31 | The natural minor scale | Seven notes: W H W W H W W. |
| L32 | The natural minor scale: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L33 | The natural minor scale: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L34 | Scale degrees | Know every note of a scale by its number. |
| L35 | Scale degrees: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L36 | Scale degrees: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L37 | Name the scale degree | Say the 4th of any scale out loud. |
| L38 | Name the scale degree: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L39 | Name the scale degree: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L40 | Spell the scale | Seven letters, each used exactly once. |
| L41 | Spell the scale: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L42 | Spell the scale: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Inversions
| L43 | Spell the 1st inversion | The same three notes, rotated once. |
| L44 | Spell the 1st inversion: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L45 | Spell the 1st inversion: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L46 | 1st inversions | The same chord with the 3rd at the bottom. |
| L47 | 1st inversions: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L48 | 1st inversions: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L49 | Spell the 2nd inversion | Rotate the list one more time. |
| L50 | Spell the 2nd inversion: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L51 | Spell the 2nd inversion: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L52 | 2nd inversions | The same chord with the 5th at the bottom. |
| L53 | 2nd inversions: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L54 | 2nd inversions: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Pentatonics and blues
| L55 | Major pentatonic | Five notes that always sound good. |
| L56 | Major pentatonic: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L57 | Major pentatonic: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L58 | Minor pentatonic | The rock and blues workhorse. |
| L59 | Minor pentatonic: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L60 | Minor pentatonic: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L61 | The blues scale | Minor pentatonic plus the blue note. |
| L62 | The blues scale: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L63 | The blues scale: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L64 | Spell the small scales | Five- and six-note scales by name. |
| L65 | Spell the small scales: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L66 | Spell the small scales: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
More chord colours
| L67 | Diminished & augmented | The two symmetric, tense triads. |
| L68 | Diminished & augmented: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L69 | Diminished & augmented: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L70 | Suspended chords | Replace the 3rd: sus2 and sus4. |
| L71 | Suspended chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L72 | Suspended chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L73 | Spell the colour chords | Diminished, augmented and suspended. |
| L74 | Spell the colour chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L75 | Spell the colour chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L76 | Bigger leaps | Fourths, sixths and sevenths. |
| L77 | Bigger leaps: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L78 | Bigger leaps: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L79 | Name the bigger leaps | The same four distances, by name. |
| L80 | Name the bigger leaps: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L81 | Name the bigger leaps: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Seventh chords
| L82 | Dominant 7th chords | The engine of blues and jazz. |
| L83 | Dominant 7th chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L84 | Dominant 7th chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L85 | Major & minor 7ths | The dreamy one and the smooth one. |
| L86 | Major & minor 7ths: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L87 | Major & minor 7ths: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L88 | Diminished 7ths | Full and half-diminished seventh chords. |
| L89 | Diminished 7ths: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L90 | Diminished 7ths: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L91 | Spell the sevenths | Four notes, four letters apart. |
| L92 | Spell the sevenths: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L93 | Spell the sevenths: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
More scales
| L94 | Harmonic minor | Natural minor with a raised 7th. |
| L95 | Harmonic minor: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L96 | Harmonic minor: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L97 | Melodic minor | Natural minor with raised 6th and 7th. |
| L98 | Melodic minor: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L99 | Melodic minor: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L100 | Spell the minor scales | Harmonic and melodic, by name. |
| L101 | Spell the minor scales: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L102 | Spell the minor scales: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Understanding
| L103 | Modes | Play a scale starting from any of its degrees. |
| L104 | Modes: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L105 | Modes: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L106 | Spell the modes | The same seven letters, starting elsewhere. |
| L107 | Spell the modes: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L108 | Spell the modes: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L109 | Spot the mistake | Read the keyboard: find missing and wrong notes. |
| L110 | Spot the mistake: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L111 | Spot the mistake: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L112 | Spot the misspelling | Read note names: what is missing or wrong? |
| L113 | Spot the misspelling: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L114 | Spot the misspelling: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L115 | Diatonic chords | The chords that live inside every key. |
| L116 | Diatonic chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L117 | Diatonic chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L118 | Spell the diatonic chords | Every chord of a key, by name. |
| L119 | Spell the diatonic chords: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L120 | Spell the diatonic chords: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
| L121 | Key signatures | Which notes a key sharpens or flattens. |
| L122 | Key signatures: sharp roots | The same, rooted on C♯, D♯, F♯, G♯ and A♯. |
| L123 | Key signatures: flat roots | The same, rooted on D♭, E♭, G♭, A♭ and B♭. |
Reading
| R1 | The treble staff | Every note is a line or a space. |
| R2 | Name what you read | Say the note you are looking at. |
| R3 | The bass staff | The same five lines, two octaves lower. |
| R4 | Name the bass staff | The same reading, said out loud. |
| R5 | Accidentals on the staff | A ♯ or ♭ in front of the note. |
| R6 | Name the accidentals | Where F♯ and G♭ look different. |
| R7 | Reading in a key | The signature alters every note of a letter. |
| R8 | Read the interval | Two notes: how far apart are they? |
| R9 | Read the chord | Three notes stacked up: which chord? |
| R10 | Read the scale | Seven notes in a row: which scale? |
| R11 | Name the key | A signature alone: which two keys share it? |
Recognition
| N1 | Name the key | A key lights up — which note is it? |
| N2 | Name the small distance | Two lit keys — how far apart? |
| N3 | Name the triad | Three lit keys — major or minor? |
| N4 | Name the scale | Seven lit keys — which scale? |
| N5 | Name the colour chord | The tense and floating shapes, lit. |
| N6 | Name the big distance | Fourths, sixths and sevenths, lit. |
| N7 | Name the seventh | Four lit keys — which seventh chord? |
| N8 | Name the minor scales | Harmonic or melodic — the shape tells. |
Connections
| C1 | Relative keys | Two keys, one signature: major and its minor. |
| C2 | Chord functions | A chord you know, placed inside its key. |